American Cinematographer Manual, Ninth Edition 2 Vol Set Review

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American Cinematographer Manual, Ninth Edition 2 Vol Set ReviewAlso known as "The Cinematographers Bible", this thick hand-sized pocket book is an absolute must for anybody who owns or uses a 16mm, Super 16mm, 35mm, Super 35mm or 70mm motion picture camera (movie cameras). IT WILL NOT TEACH YOU CINEMATOGRAPHY! It is a technical manual to be used when shooting on film and has since become the industry standard book that most amateur and professional cinematographers own and use. Motion pictures cameras are also built around the specifications laid down in this book.
Essentially the first 100 pages deal with all the different types of motion picture cameras, their internal mechanisms, technical details and threading paths. Then the book goes on to dealing with motion picture film itself, the various brands that are available, differences between black and white, color and a bit about the development process of each one. Again, technically detailed. There is also very valuable charts on film lengths and running times according to fps. The lens section is very technical covering the different types of lenses and the most important focal length, distance to subject, measuring charts that is really the most widely used part of this book. There is a massive section on filters, exposure and emulsion testing.
The book then deals with lighting and covers the various aspects of lighting types, bulbs, filters and exposure techniques, all highly technical in nature with references to charts and illustrations. The book ends with a coverage of visual special effects that can be done with the motion picture camera and other special techniques that the cinematographer will need to know about.
You will need this book if you are shooting on film, end of story. If you are looking for a manual that teaches cinematography then choose CINEMATOGRAPHY by Kris Malkiewicz instead. As a note, there is a lot of new digital cinematography cameras on the up and coming that work on digital video tape and not film and many new filmmakers may be advised to check out this route as a cheaper and less costly way of shooting their first film.American Cinematographer Manual, Ninth Edition 2 Vol Set OverviewFor the first time since Charles Clarke's 1980 edition, the AC Manual has been edited by a professional cinematographer. The completely revised 9th edition offers contributions from experts with more than 100 years of motion-picture experience. Its features include:• More than 30 new charts, including lighting intensities for more than 90 fixtures.• A completely revised camera section, rewritten by Jon Fauer, ASC• A new article on digital intermediates by Bill Feightner and Robert L. Eicholz of EFilm• Warner Bros. executive Rob Hummel's update of his classic "pros and cons" chapter, which now includes the latest digital postproduction techniques• A new chapter on hanging miniatures by visual-effects wizard Dan Curry• "Tak's tips" from Panavision lens expert Tak Miyagishima• The most extensive section yet on motion-picture formulas, written by Evans Wetmore, vice president of advanced engineering at 20th Century Fox• A revised chapter on motion-control by visual-effects legend Richard Edlund, ASC, who has included the latest updates on digital technology

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Exposure and Lighting for Digital Photographers Only (For Only) Review

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Exposure and Lighting for Digital Photographers Only (For Only) ReviewThe electronic age of cameras has, in many ways, made it easier on photographers. Back in the days when I first began to take pictures, I had to remember the speed of the film I was using in the camera, and then adjust the aperture and shutter speed to match the light. Eventually I got a separate exposure meter and transferred the data to the camera, then a clip-on meter where I matched a needle to an index to set the exposure, then a view of the needle in the viewfinder window that I had to set. And one day, all of that disappeared. I just had to point my camera at the subject and press the button. That was it. Or almost. With nothing to set, I sometimes got grey snow, or blurred figures. But usually I remember my earlier days, and compensate for the situation or my vision of what I want. I often run into photographers who started photography after the introduction of electronic exposure who are surprised that I know the adjustments I want before I take any picture.
This book is aimed at the photographer who is interested in just one thing: getting a handle on exposure. (I know the title includes lighting, but lighting is just the reverse side of the exposure coin.)
The authors start out discussing the nature of light, and then discuss the three-legged stool of exposure: aperture, shutter speed and media sensitivity. They tell how to use a meter, in camera or separate, and then how to modify what the meter tells you to capture your vision. Next the authors talk about adding light either with lighting equipment or by controlling natural light. Finally they talk about lighting and exposure for specific subjects, like portraits, action, nature, objects and architecture. I particularly loved the fact that they gave a succinct explanation of that favorite of older photographers, the zone system. They also dealt easily but fully with my sine qua non, the histogram. There's only the slightest reference to digital post processing. For that you'll need another book.
The authors write in a clear, concise style and cover virtually everything one would want to know about exposure and lighting. I must admit that sometimes that bordered on the pedantic, but they move along quickly enough to hold one's interest. For this subject, this book is as good as it gets.
You may think that you don't need this book. If you know the sunny 16 rule, and know whether to compensate up or down and how many stops for a snow scene, and use depth of field selectively, and understand what you can see in Zone 0, and know when you want to shoot in aperture priority and at what f/stop, then you probably don't need this book. All other photographers should read it.Exposure and Lighting for Digital Photographers Only (For Only) OverviewEven with digital cameras and automatic exposure, lighting and exposure remain the most difficult element to master in the quest for quality photography. This book, written by a professional photographer for photographers, provides real-world advice to help you achieve true creative control over lighting and exposure. Discover how to take your digital photos to the next level with the scores of lighting diagrams, techniques, and stunning full-color photographs. Order your copy today!

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