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Mediated Memories in the Digital Age (Cultural Memory in the Present) ReviewJosé van Dijck raises interesting questions in this book: How are digital artifacts different from physical ones? What does the advent of zero-cost memorabilia mean for how we construct our identities? How will this technological transition affect our culture and our sense of history?These are good questions to reflect on, but this book gives us few answers. There are some enjoyable (and potentially illuminating) stories in here; my favorite is of the radio station in The Netherlands plays "the two thousand most popular songs of all times" (the subject of Ch. 4). Unfortunately, these stories are interspersed with unparseable sentences such as "In conjunction to the technological script, we hence need to look at how social practices and cultural forms transpire through the concrete manifestations of diary writings and lifelogs" (p.67) and "The pair brain/mind is hierarchically off set from the pairs technology/materiality and cultural practices/forms; the latter two are mere conceptual aids in the neurobiological theory of movies-in-the-brain" (p. 125).
Clearly, van Dijck has done her homework. But can any amount of social theory shed light on such broad questions? After reading this book, I don't feel like I've gained any new insight beyond the traditional mantra of the humanities: It's complicated.Mediated Memories in the Digital Age (Cultural Memory in the Present) OverviewMany people deploy photo media tools to document everyday events and rituals. For generations we have stored memories in albums, diaries, and shoeboxes to retrieve at a later moment in life. Autobiographical memory, its tools, and its objects are pressing concerns in most people's everyday lives, and recent digital transformation cause many to reflect on the value and meaning of their own "mediated memories." Digital photo cameras, camcorders, and multimedia computers are rapidly replacing analogue equipment, inevitably changing our everyday routines and conventional forms of recollection. How will digital photographs, lifelogs, photoblogs, webcams, or playlists change our personal remembrance of things past?And how will they affect our cultural memory? The main focus of this study is the ways in which (old and new) media technologies shape acts of memory and individual remembrances. This book spotlights familiar objects but addresses the larger issues of how technology penetrates our intimate routines and emotive processes, how it affects the relationship between private and public, memory and experience, self and others.
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